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To get going you first download a small installer stub app, which then downloads the massive full program. It's more than 2GB and takes up 3.5GB on disk after installation, so you want a fast internet connection and plenty of space on your hard drive. Of course, if you're editing 4K video, you need a big disk anyway. The installer also installs separate MultiCam Capture Lite, MyDVD, and several content packs\u2014which can add several GB more\u2014if you choose the full installation.
As for But promotional pictures do not come to my mind when thinking about something "non repeatable", I invite you to check out Image_talk:Mikko_eloranta.jpg, the talk page of a deleted image. In order to replace it, I would have to fly to Sweden, convince a hockey player to put on his uniform but not his helmet, re-create a studio setting, and, for free and forever releasing his rights to the image, have him pose for a professional headshot photo that he has already posed for once before. (You know, for the deleted image that was released to the media specifically for uses such as this.) Is that repeatable? I guess. Is it reasonably repeatable? Probably not. Should Wikipedia policy allow publicity photos such as this to be included? Probably.
I think we need to have an official page (guideline/policy) on this matter of publicity rights, including hopefully some "lawyer reviewed" content/direction. Jimbo has set us on the course of finding free content, which for celebs, almost exlcusively means amateur unauthorized photos. Now, this may be a very good thing, as it can encourage the creation of lots of new free content. But what if lots of Wikipedian photographers (or flickr'ies) go out, take a whole bunch of photos, and a couple years down the road, its decided we need "release" permission, and Wikipedia starts mass-deleting these images. In many cases people have permission of the subject to use their photo, but don't include mention of this, as there's no indication its needed, or what's needed in this area of publicity rights. --Rob 13:13, 26 December 2006 (UTC)Reply[reply]
Once again, with all due respect, what I suggested was quite simply putting this debate, with whatever "properly" stated opinions there might be from both sides, out there for our readers, as well as the thousands of Wikipedia editors who have added fair use photos to articles who only learn about this "debate" when their images suddenly get deleted, and in a more public place where it can be readily seen. There is no doubt whatsoever that those of us that responded most vigorously at Chowbok have been targeted, the mere fact we dared debate the issue got us hammered. I haven't seen any real "debate" yet on this issue - as "debate" would suggest there's a possibilty of real change and/or compromise - if there is any, where is it? Is the "compromise" that we will allow images of the deceased and album covers for some indeterminate period of time? That isn't a "compromise" at all. Many editors have offered legitimate compromises concerning the tagging of fair use images with a request to replace with a free image, and various others. From what I've seen those very legitimate efforts at "debate" and compromise have so far been totally ignored. A "debate" isn't one where we continue to babble our respective viewpoints ad nauseum, on Wikipedia that's ultimately little more than a waste of time and server space, and I, and numerous others, have already "debated" this issue to death.
It's my guess this is the first time there's been a potential "debate" of this magnitude since the major growth of Wikipedia that presents a real issue of quality affecting both editors and the general public who uses and views Wikipedia. Please quit comparing this issue to "everyone would like a thousand dollars too", and porno images, etc., as it's an insult to the efforts of those many editors who have attempted to make legitimate contributions as well as the vast majority of our readers, porno page popularity or not. As a professional writer, one who writes about Wikipedia at times, I value the opinions of my readers as much as the tekkies/junkies. I would think Wikipedia's ultimate "customers" our the readers who entrust Wikipedia to provide them with high-quality information, and those customers should be carefully listened to, and not treated so poorly. Is this somehow a radical concept - here I thought it was one of Wikipedia's fundamental strengths. I may well have missed something, or perhaps we need a new "pillar".
I'd say the thing that makes me most discouraged is Jimbo Wales himself jumping in and shutting down debate on the subject, as if "I am He and He has spoken, now go forth and generate free content". First off, to me his position makes me suspicious of ulterior motives. Jimbo is a business man, not Mother Theresa. He's not a saint. He's not a stupid man and he knows that we are free and clear to use fair-use content in a perfectly legal manner. What end-goal could possibly be behind his desire for wikipedia to have entirely free/gratis content? I'm not a conspiracy theorist by any stretch of the imagination, but I can't help but believe someday all this altruism here at Wikipedia will be usurped by an ultimate profit motive.
All plug-ins are available for purchase as a download or on CD fromthe iZotope Website. MSRPs include Ozone 3, $299 to new customers and$49 to current Ozone 3 DirectX customers; Trash, $199 for new customersand $39 to current Trash DirectX customers; and Spectron, $99 to newcustomers and $29 to current Spectron DirectX customers. All plug-insship on CDs with extra content for an additional $29. Updates to theDirectX version for existing DirectX customers are provided free ofcharge.
The amplifier package includes a pre-DSP send/return for dryrecording and wet monitoring, while a low-noise instrument inputensures guitar signal integrity. Balanced stereo XLR DI Out with groundlift is also provided, and 15 rear panel connectors allow routing forany application, plus full MIDI compatibility. A Windows editor isdownloadable from the Behringer Website free of charge.
The graphical interface is intuitive and straightforward to use. Thehomepage provides a composite view of the overall operation of anychannel, and full real-time metering is provided for all channels. Thesoftware is available now as a free download from www.klarkteknik.com.
Restoration Suite Version 1.5 adds a new DeCrackle plug-in andprocessing improvements to the three existing audio restoration tools:DeClick, DeNoise and DeScratch. Restoration Suite 1.5 will beginshipping in June with prices at $1,495. A free upgrade will bedownloadable from the TC Website for existing Restoration Suiteusers.
Kyle Lehning Leaves Home With SoundeluxAlthough Nashville-based producer Kyle Lehning frequently works in fully stocked high-end studios, he usually arrives with his personal Soundelux E47 and U99 microphones in tow.
The ReFill-format packs instrument patches, samples, audio files and REX material in one compact file; the combined size of all material packed in a ReFill is reduced by up to 50 percent through nonlossy compression. The ElectroMechanical ReFill content update can either be downloaded for free from the Propellerhead Website or a CD is available for a small shipping fee.
Accelerator-based light sources such as storage rings and free-electron lasers use relativistic electron beams to produce intense radiation over a wide spectral range for fundamental research in physics, chemistry, materials science, biology, and medicine. More than a dozen such sources operate worldwide, and new sources are being built to deliver radiation that meets with the ever-increasing sophistication and depth of new research. Even so, conventional accelerator techniques often cannot keep pace with new demands and, thus, new approaches continue to emerge. In this article, a variety of recently developed and promising techniques that rely on lasers to manipulate and rearrange the electron distribution in order to tailor the properties of the radiation are reviewed. Basic theories of electron-laser interactions, techniques to create microstructures and nanostructures in electron beams, and techniques to produce radiation with customizable waveforms are reviewed. An overview of laser-based techniques for the generation of fully coherent x rays, mode-locked x-ray pulse trains, light with orbital angular momentum, and attosecond or even zeptosecond long coherent pulses in free-electron lasers is presented. Several methods to generate femtosecond pulses in storage rings are also discussed. Additionally, various schemes designed to enhance the performance of light sources through precision beam preparation including beam conditioning, laser heating, emittance exchange, and various laser-based diagnostics are described. Together these techniques represent a new emerging concept of "beam by design" in modern accelerators, which is the primary focus of this article.
The past decade was characterized by an increasing scientific demand for extending towards higher repetition rates (MHz class and beyond) the performance of already operating lower repetition rate accelerator-based instruments such as x-ray free electron lasers (FELs) and ultrafast electron diffraction (UED) and microscopy (UEM) instruments. Such a need stimulated a worldwide spread of a vibrant R & D activity targeting the development of high-brightness electron sources capable of operating at these challenging rates. Among the different technologies pursued, rf guns based on room-temperature structures resonating in the very high frequency (VHF) range (30-300 MHz) and operating in continuous wavemore » successfully demonstrated in the past few years the targeted brightness and reliability. Nonetheless, recently proposed upgrades for x-ray FELs and the always brightness-frontier applications such as UED and UEM are now requiring a further step forward in terms of beam brightness in electron sources. Here, we present a few possible upgrade paths that would allow one to extend, in a relatively simple and cost-effective way, the performance of the present VHF technology to the required new goals.« less 2b1af7f3a8